Katie Rose Martin
Still and 2D Artworks
This is a selection of finished pieces I wish to share with the world. Some may be familiar from my blog posts or Instagram feed, but for many this will be the only place they are posted as I feel this is a more complete and concise way to showcase my work as opposed to flooding an Instagram account or writing a post for every finished piece.
Further down this page other categories of work are available to view.
Final exhibition piece of my MA degree in Fine Art.
Final exhibition piece of my MA degree in Fine Art.
Final exhibition piece of my MA degree in Fine Art.
Final exhibition piece of my MA degree in Fine Art.
Final exhibition piece of my MA degree in Fine Art.
Final exhibition piece of my MA degree in Fine Art.
Exhibition piece as part of my MA Fine Art degree. Edition 1 of 15. 4x5 pinhole image on sepia toned silver gelatin fiber based. 49.4 x 39.5 cms. £180 (£210 framed)
Exhibition piece as part of my MA Fine Art degree. Edition 1 of 15. 4x5 pinhole image on sepia toned silver gelatin fiber based. 39.5 x 49.4 cms. £180 (£210 framed)
Exhibition piece as part of my MA Fine Art degree. Edition 1 of 15. 4x5 pinhole image on sepia toned silver gelatin fiber based. 49.4 x 39.5 cms. £180 (£210 framed)
Exhibition piece as part of my MA Fine Art degree. Edition 1 of 15. 4x5 pinhole image on sepia toned silver gelatin fiber based. 39.5 x 49.4 cms. £180 (£210 framed)
Exhibition piece as part of my MA Fine Art degree. Edition 1 of 15. 4x5 pinhole image on sepia toned silver gelatin fiber based. 49.4 x 39.5 cms. £180 (£210 framed)
This is the full collection of images and how they were presented for my final assessment of my first semester of my third year's project. As I am continuing the theme of 'putting my father back into the landscape' into the second semester, this can be seen as a midway point of the project. There is an extensive explanation of the concept for this project in the form of a blog post titled “Project Concepts and Origins.” posted on the 11th of February 2020. All images taken on 35mm HP5+ pushed to 800 ISO and worked on solely in the darkroom. All single images roughly 5”x3” (with variations due to irregular edges) and the board is 33.1”x23.4".
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
This is a singular image from the collection of semester one finals for my third year project looking at ‘putting my father back into the landscape’. 35mm HP5+ 800 ISO darkroom edit.
From my project surrounding the sequences produced by architectural shapes and shadows. 120mm.
From my project surrounding the sequences produced by architectural shapes and shadows. 120mm.
From my project surrounding the sequences produced by architectural shapes and shadows. 120mm.
From my project surrounding the sequences produced by architectural shapes and shadows. 120mm.
From my project surrounding the sequences produced by abstracted architectural shapes and shadows. 35mm.
From my project surrounding the sequences produced by abstracted architectural shapes and shadows. 35mm.
Video and Installation Artworks
Side project from final degree body of work:
This piece follows closely to the main concept themes that started at the beginning of my third year. It is centered around my father's fading and sometimes distorted/disorienting memories and dreams of interacting with the landscape.
Landscape Stills
UNDER CONSTRUCTION
This is a collection of films stills of various landscapes I have taken either for or outside of a project. Often Images I take for use within projects I find stand well on their own and wish to show them disconnected from the confines of a concept or edited and manipulated work.
Collaboration Works
These are a collection of works I have done in collaboration with others. Further details of each piece can be found when clicking on the images.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.
This project was something I completed with a close friend of mine during the initial 2020 UK lockdown that started in March. We both seperately shot a roll of film each, one using Ilford XP2 and one using Kodak Gold. Then once each roll was completed we swapped film and shot another round of photos on top, producing a roll of double exposures from separate locations, artists, and thought process. All these images are self-developed and scanned by Ben Ashing.